I’ve moved
You can now find me here where I have a whole lot more control over how things look. Please update your bookmark, all one of you.
You can now find me here where I have a whole lot more control over how things look. Please update your bookmark, all one of you.
A couple that I like and will try to use in projects:
Sebastian Lester’s Soho (Professional Pack at £807), a super family with 40 fonts. And now with the addition of Soho Gothic, it is even superer.
Stag, especially Stag Dots. I first saw it in Esquire. It was absolutely brilliant. Christian Schwartz can do no wrong.
Calvert: Today I discovered that it was designed by Margaret Calvert, the road sign designer that was featured on Top Gear.
Lubalin Graph (but not the condensed), although with Neutra Slab (US$249) there is simply no reason for it, except if you are on a budget.
Memphis (US$19.95 per weight)
Mood: Happy
Ikeahacker to create more table space. Plus paint the two pieces of furniture in the backyard.
Divide and conquer: list and unitask
The idea is to get the links sorted so that things can be found easily.
Hitchcock posters reimagined.
Word Project: Odd and obscure words illustrated.
Eames Century Modern: I’m in love
Obama hires Edward Tufte, “Da Vinci of information graphics”
DPA is on page crush.
See more manic page crushes here.
Edit 14 March: It’s on designaside as well.
Typographic posters
Type theory
AIGA Salary Survey
Think for a living
From makeready:
Typefaces no one gets fired for using and its less mature counterpart: typobituaries.
Hand drawn type
And some links to keep:
Gummy bear chandelier
I didn’t even know that there’s a white Olivetti Valentine.
From behance: infographics, Mari, typeface anatomy
From ilovetypography: Frederic Warde Printers Ornaments and typegoodness.
From decor8: Forever is Today
What type are you?: I don’t know why I haven’t seen this, it seems so old.
Link to read: The Designer’s Review of Books
From laissezfaire: Fabric flowers for Peter Copping / Nina Ricci Fall
Ethereal bokeh type via @jijunn via ilovetypography.
A good solution, in addition to being right, should have the potential for longevity. Yet I don’t think one can design for permanence. One designs for function, for usefulness, rightness, beauty. Permanence is up to God. — Paul Rand